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How to Play the Final Ankle
Final
Ankle Trick, commonly called satta matka final, is a fingerboard technique
which is mainly created by state matka and his son, Sanjay Gandhi. This given
fingering is can be come from either open patt or closed patt or as near digit
or even as close digit. This fingerboard trick requires you to place the tip of
your index finger behind the front three strings on the left hand in order to
make sure that the strings lie across the top of your thumb. You then move your
fingers up to the right side while doing this. The trick is to make sure that
the strings lie across the top of the thumb in such a way that they form a
straight line between the tip of your index finger and the string that cross
over the thumb.
The
next step entails that you place your left hand over your right thumb. Now it
is time for you to start playing with the first four strings by plucking them
out and putting them back on the fretboard by either open patt or closed path.
You should then do the same with the fifth string but this time, you should
place your right thumb on top of the sixth string. Thus, you get the final step
of the data matka final ank trick which is to make use of your thumb to pluck
all the strings on the top of your thumb in such a way that they cross over
your index finger.
While
playing the final ank, it is important that you follow the rules exactly as
laid down by Sanjay Gandhi and his father, Satchin. The two rules have been
published in the book titled "Satchin - The Book of Songs". However,
since most people do not have access to this particular book, it would be best
if you use another book that explains the entire process in detail.
The
tuba part of the final and is quite different from the satta matka result. In
the satta match result, the singer plays all the notes except the tonus (which
is played by the left hand). The thumb in the final and is quite different. It
involves two processes. First, the singer needs to strike the strings once with
his right foot and twice with his left foot. It is after this process that he
strikes the strings with both feet simultaneously.
On
the surface, this may seem like a very difficult task and may even compel you
to give up if you feel that you cannot do it on your own. However, with the
help of simian pana, it will become easier. This is because the process starts
with the singer moving his feet from one side to another (with the help of a
panyangram). Then, the singer goes back to the starting place and strikes the
strings with both feet simultaneously this time. The speed at which the thumb
is performed depends on the strength and the quality of the voice.
Once
the string is struck three times, the singer stops at the fourth side of the
panel and strikes the string there with the left foot. The speed at which he
strikes this string is the same as the speed at which he strikes the first
string. This is how the pana in final and is almost exactly the same as that of
the sangam. If you don't know how to play the final ank, then the best way for
you is to master the sangam. Sampian and is easy to learn and the process of
learning it takes only a few months.
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